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Whose Your DAD?
By Michael Cader (Publishers Lunch)
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At today's Book Industry Study Group
(BISG) Making Information Pay Conference,
consultant Mike Shatzkin of the Idea Logical
Company officially previewed his lexicon of
new acronyms to describe the growing herd of
intermediaries who want to manage digital
content for publishers (including large
publishers themselves).
In Shatzkin's vision, just as nearly every publisher works with a
physical distributor to bring their work to retail (and collect
payment), the growing world of promotional and paid electronic content
will require nearly everyone to have a companion digital distributor.
Hence DADs--digital asset distributors.
As part of a research project that will be presented in a white paper
and in conferences in New York and London this summer, Shatzkin and
fellow consultant Mark Bide have identified at least 10 to 12 DADs
(including Accenture, Bibliovault, CodeMantra; Donnelly; Harper/Libre
Digital; Bookstore (Holtzbrinck/Macmillan); Ingram Digital; Random
House; and Value Chain International...and then the podium blocked my
view of the slide. And there are plenty of rumors of other potential
players. (You can also imagine a clash of book-focused distributors with
companies aiming to manage a larger set of digital content.)
Also on the new acronym map are DARs--digital asset recipients,
ranging from Amazon/Google/Microsoft to MySpace to blogs. And publishers
get an acronym of their own--DAPs (digital asset producers.)
As Shatzkin noted, this time last year, the idea of a digital
distributor was "hardly on any radar screens." Now, the need to
distribute promotional content all over the web, the variety of
technologies employed to accomplish that, and the ever-rising hope of
monetizing electronic content (in whole servings and small slices with
our without ads, and so on) is driving the creation of these hopeful
digital brokers. Longer term, of course "consolidation of digital
distribution is logical."
Shatzkin was followed by sample DAD Christopher Hart from Random
House, who gave an overview of some of the company's efforts and
initiatives, and a practical perspective on the complexity of files and
file needs within a big house and the multiplicity of options for using
digital content online that the publisher wants to enable. "Suddenly
when you have content online, you can do a lot of different things with
it." The ideas come from in-house and from authors themselves, and Weber
recognizes that there is no one way, but infinitely flexbile ways. "It's
not about files anymore. It's a marketing effort" to provide "easy
access to the content."
Hart underscored the company's broad efforts are "not a move against
Google and Amazon" and it's "not about DRM, and not about e-books." It's
about "having books in the internet conversation and it's about books
versus every other media possible."
And in good quick sound bite to finish with, O'Reilly director of
online marketing Allen Noren, who is still speaking, just noted: "We're
competing against good enough [on the internet]. Good enough is what a
lot of people will go for. We're also competing against free."
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